Angela Goh is a dancer and choreographer working in Australia and internationally. She is working with dance in theatres, galleries, and telepathetic spaces.
Her work Desert Body Creep has been presented at Next Wave Festival (Melbourne), PACT’s Afterglow program (Sydney), Perth Institute of Contemporary Art, and at the Asia-Pacific Triennial of Performing Art (upcoming). Her work Predictable Dances has been presented by Movement Research at the Judson Church (NYC), Indigo Dance Festival (PAF Performing Art Forum, FR), Firstdraft (Sydney), and by Galerie International at La Biennale de la Danse Lyon (FR), Jan Mot Gallery (Brussels), and upcoming at Dansehallerne (Copenhagen) and Menagerie de Verre (Paris). Angela’s work has also been presented by safARI, The Oxford Art Factory, Lucy Guerin Inc, and ArtBank amoung others.
Angela received the danceWEB Europe Scholarship, Next Wave Kickstart commission, Australia Council ArtStart, and residencies including Critical Path, ReadyMade Works, Bundanon Trust, Rimbun Dahan Dance residency (MY), Vitalstatistix, amoung others.
She regularly performs in the work of other artists, recently including Mette Edvardsen (NOR/BE) for the 20th Biennale of Sydney; Germaine Kruip (NL/BE) for the 20th Biennale of Sydney; Atlanta Eke (AU) for M Pavillion / Chunky Move / Underbelly Arts Festival / Alaska Projects; Jane McKernan (AU) for Kier Choreographic Award / Performance Space SCORE Festival; Marina Abramovic (USA/SRB) and Joan Jonas (USA) for Kaldor Public Arts Projects 13 Rooms; Tino Sehgal (UK/DE) for Kaldor Public Arts Projects / Art Gallery of NSW; Marten Spangberg (SWE) for Impulstanz International Dance Festival; and Branch Nebula (AU) for Dance Massive.
Angela’s writing has been published in Un Magazine and Critical Dialogues, and she was a speaker on the performance symposium panel for the 20th Biennale of Sydney.