Angela Goh is an Australian dancer and choreographer working with dance in theatres, galleries, and telepathetic spaces. Her work considers the body in relationship to commodity, materiality, technology, and feeling, and explores how meaning is both revealed and obscured through image making.
Angela’s works have been presented across Australia and internationally, most recently at Baltic Circle Festival (FIN), PS122/Performance Space New York (USA), Auto Italia South East (UK), Liveworks Festival (AUS), Artspace Sydney (AUS), Filmwinter Stuttgart (DE), Perth Institute of Contemporary Art (AUS), Campbelltown Arts Centre (AUS), the Asia-Pacific Triennial of Performing Art, The Judson Church (USA), among others, and presented by Galerie (int) at La Biennale de la Danse (Lyon); Jan Mot Gallery (Brussels); Dansehallerne (Copenhagen); Menagerie de Verre (Paris); and Saal Biennial (Tallin).
Angela has been artist in residence at Tanzhaus Zurich (CH), Cite Internationale des Arts (FR), Critical Path (AUS), Arts House Melbourne (AUS), Bundanon Artist Trust (AUS), Rimbun Dahan (MY), Dance Nucleus (SNG), received the danceWEB Europe Scholarship, and won Best Artist in the 2017 FBi Sydney Music Arts and Culture awards.
She regularly performs in the work of other artists, recently including Mette Edvardsen (NOR/BE) for the 20th Biennale of Sydney & Next Festival BUDA; Germaine Kruip (NL/BE) for the 20th Biennale of Sydney; Atlanta Eke (AU) for M Pavillion / Chunky Move / Underbelly Arts Festival / Alaska Projects; Jane McKernan (AU) for Kier Choreographic Award / Performance Space SCORE Festival; Marina Abramovic (USA/SRB) and Joan Jonas (USA) for Kaldor Public Arts Projects 13 Rooms; Tino Sehgal (UK/DE) for Kaldor Public Arts Projects / Art Gallery of NSW; Marten Spangberg (SWE) for Impulstanz International Dance Festival; and Branch Nebula (AU) for Dance Massive.