Angela Goh is an Australian dancer and choreographer. She is working with dance in theatres, galleries, and telepathetic spaces. Her work often deals with tropes of femininity; the supernatural; and dance as both a form and as a force. Angela’s works have been presented in a multitude of formats across Australia, Europe, the UK, USA and SouthEast Asia.

Recent presentations include at PS122, Performance Space New York; Auto Italia (London); the Asia Pacific Triennial of Performing Art (Melbourne), Firsdraft (Sydney); Campbelltown Arts Centre (Sydney); Next Wave Festival (Melbourne); Perth Institute of Contemporary Art; The Judson Church (NYC); and as presented by Galerie (int) at La Biennale de la Danse (Lyon); Jan Mot Gallery (Brussels); Dansehallerne (Copenhagen); Menagerie de Verre (Paris); and Saal Biennial (Tallin).

Angela received the danceWEB Europe Scholarship, Next Wave Kickstart commission, Australia Council ArtStart, and residencies including Critical Path, ReadyMade Works, Bundanon Trust, Rimbun Dahan (MY), Vitalstatistix, Arts House Culture Lab, amoung others.

She regularly performs in the work of other artists, recently including Mette Edvardsen (NOR/BE) for the 20th Biennale of Sydney; Germaine Kruip (NL/BE) for the 20th Biennale of Sydney; Atlanta Eke (AU) for M Pavillion / Chunky Move / Underbelly Arts Festival / Alaska Projects; Jane McKernan (AU) for Kier Choreographic Award / Performance Space SCORE Festival; Marina Abramovic (USA/SRB) and Joan Jonas (USA) for Kaldor Public Arts Projects 13 Rooms; Tino Sehgal (UK/DE) for Kaldor Public Arts Projects / Art Gallery of NSW; Marten Spangberg (SWE) for Impulstanz International Dance Festival; and Branch Nebula (AU) for Dance Massive.

Angela’s writing has been published in Un Magazine and Critical Dialogues, and she was a speaker on the performance symposium panel for the 20th Biennale of Sydney and for Talk Contemporary at Sydney Contemporary.

Angela won the Best Artist award in the 2017 FBi Sydney, Music, Arts, and Culture awards.